Yes, it's work, but not manual toil!
When BookEnds Literary Agency signed me on with agent Kim
Lionetti, I was writing as Kaye George. Since BookEnds handled a lot of cozies
and that’s what I wanted to write, and since I had never written one, Kim had
to make sure I could write them. Some people do call my other series cozies,
but they are actually traditional mysteries (except the Neanderthal series—that’s
sort of traditional, but also historical—prehistorical).
What’s the difference? A traditional mystery contains a
murder and can be set anywhere with any kind of sleuth. It can dwell on the
gory details and show an autopsy. It can contain seedy characters, some of them
with foul mouths and bad habits. A cozy, in contrast, is lighter and gentler. No
gory details, no explicit sex, no cursing (or if there is any, it’s minimal),
no harm ever done to children or animals. Especially animals. In fact, many
cozies feature cats, dogs, and other pets. There may be some romantic interest,
even some romantic tension, but the real stuff is behind closed doors, as we
say. Many cozies have come to be based around a hobby or a career like baking,
catering, sewing, libraries—respectable things like that.
Now, what about this WFH? Jessica Faust at BookEnds
explained it better than I ever could, so I’ll put that link here.
A quick summary of that, in case you don’t want to click
over, is that the publisher came up with the concept and maybe some of the
characters. They may have decided who will get killed or who the killer will
be, or that may be left to the hired author. Sometimes auditions are taken,
that is, submissions are turned in to them from agencies which have had a
writer take on the task and do a proposal. (A proposal is usually a fleshed out
synopsis of the plot, based on the original germ of the idea, plus the first
three chapters.) When an author is chosen by the publisher, a contract is
signed. This contract makes it clear that the publisher owns all the copyrights
to this series. They own the concept, the characters, and even the author name
(hence my other pen name of Janet Cantrell).
Why, you may ask, would a writer want to do this? There are
a few good reasons. Cozies are extremely popular among mystery readers, so they
sell well. (And the agencies and publishers know what their readers want.) My
first two both achieved national best-seller status, I’m pleased to say. Also, if
the publisher came up with the concept and accepted the proposal, that series
will definitely get published. Thirdly, it’s a good way to get a foot in the
door with that publisher and maybe later get a series with your own name.
One little hitch in my case. Due to multiple mergers and
acquisitions, the publisher is looking at the bottom line and deciding to throw
in with mostly huge megasellers, discontinuing many of their popular cozies. A
lot of cozy writers can take their series to other publishers, and many are
doing that, but I can’t, because I don’t own any of this one. Bad timing on my
part. The market at this publisher fell apart right as I established my
toehold.
The Fat Cat series may
be continued, but only if sales of the third book, FAT CAT TAKES THE CAKE, which
came out this month, are spectacular. I’m hoping, of course, but I’m also
thinking of what else I can do, and I’m writing a proposal for my agent to send
to other publishing houses. Wish me luck on both these fronts!
It’s a strange business! I wouldn’t trade it for the world.
